Structures of Power and Violence

In The good in barbed wire Edward N. Luttwak reviews Reviel Netz's An ecology of modernity. After pointing out that Netz doesn't know what he's talking about, Luttwak goes on to describe

...the highly successful procedures employed by Reviel Netz, which can easily be imitated – and perhaps should be by as many authors as possible, to finally explode the entire genre. First, take an artefact, anything at all. Avoid the too obviously deplorable machine gun or atom bomb. Take something seemingly innocuous, say shoelaces. Explore the inherent if studiously unacknowledged ulterior purposes of that "grim" artefact within "the structures of power and violence". Shoelaces after all perfectly express the Euro-American urge to bind, control, constrain and yes, painfully constrict. Compare and contrast the easy comfort of the laceless moccasins of the Indian – so often massacred by booted and tightly laced Euro-Americans, as one can usefully recall at this point. Refer to the elegantly pointy and gracefully upturned silk shoes of the Orient, which have no need of laces of course because they so naturally fit the human foot – avoiding any trace of Orientalism, of course. It is all right to write in a manner unfriendly or even openly contemptuous of entire populations as Professor Netz does with his Texans at every turn ("ready to kill. . . they fought for Texan slavery against Mexico"), but only if the opprobrium is always aimed at you-know-who, and never at the pigmented. Clinch the argument by evoking the joys of walking on the beach in bare and uncommodified feet, and finally overcome any possible doubt by reminding the reader of the central role of high-laced boots in sadistic imagery.

That finally unmasks shoelaces for what they really are – not primarily a way of keeping shoes from falling off one’s feet, but instruments of pain, just like the barbed wire that I have been buying all these years not to keep the cattle in, as I imagined, but to torture it, as Professor Netz points out. The rest is easy: the British could hardly have rounded up Boer wives and children without shoelaces to keep their boots on, any more than the very ordinary men in various Nazi uniforms could have done such extraordinary things so industriously, and not even Stalin could have kept the Gulag going with guards in unlaced Indian moccasins, or elegantly pointy, gracefully upturned, oriental shoes.

Yeah, that goes for a lot of literary criticism, too. On the other hand, in Morris Dickstein's Postmodern Fog Has Begun to Lift

...for many contemporary academics, especially those who bought into postmodern theory in the last few decades, the idea of the "real" raises serious problems. Reality depends on those who are perceiving it, on social forces that have conditioned their thinking, and on whoever controls the flow of information that influences them. They believe with Nietzsche that there are no facts, only interpretations. Along with notions like truth or objectivity, or moral concepts of good and evil, there's hardly anything more contested in academia today.

I hope he's right. But I'm not sure I agree when he says,

Novels like Dreiser's "Sister Carrie" and Wharton's "House of Mirth" showed how fiction paradoxically could serve fact and provide a more concrete sense of the real world than any other form of writing.

This is how most readers have always read novels, not simply for escape, and certainly not mainly for art, but to get a better grasp of the world around them and the world inside them. Now that the overload of theory, like a mental fog, has begun to lift, perhaps professional readers will catch up with them.

People read books for all sorts of reasons, and while for some it may be to get a grasp of the world around them, sometimes it is for art, sometimes it is for escape, and sometimes it's to detect a socially-constructed reality. It's a free country.