Rosen refers to Anton Webern's wistful dream that the postman would someday do his rounds whistling a twelve-tone row. The trouble is, of course, that the postman wants to whistle a tune, not a composer's intentional foiling of the very idea of a tune, and it seems to me that this fact must, sooner or later, to be faced if we want to analyze the failure of modernism in music.Elsewhere he argues that capitalism's a staggering success, despite what left-wing intellos say.
Wednesday, December 31
Denis Dutton, the editor of Arts & Letters Daily, has some interesting stuff (link via Virginia Postrel); for instance, his review of Charles Rosen's Art of the Piano:
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