We also saw
Marty (1955), which was just much too long with tiresome dialog that apparently sounded fresh and realistic when it came out. That was before we got here. Yesterday we saw
Blind Shaft, which was unexpectedly good. I figured as an art movie it would be unwatchable, but it actually had a plot, and even a little bit of morality. It was also grimly amusing to see the thug so invested in the idea of educating his son.
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