A Postmodern Eulogy

The contemporary elitist capitalistic racist sexist Francophobic narrative is that Jacques Derrida has undergone the ultimate deconstruction.

But if, as he once suggested, we use postcultural structuralist theory to deconstruct hierarchy, then it could be said that the characteristic theme of this pseudo event is in reality the rubicon of neodialectic bioidentity. In fact, consider this in the context of the fact that he actively promoted the use of predialectic narrative to challenge society, thus contextualising the subject into a neodialectic deconstruction that includes reality as a totality. By this reasoning (bearing in mind that reason is not a road to truth), it could be said that death itself is dead.

Just as Foucault's model of postmaterial patriarchialist theory states that language serves to exploit minorities (and thus serve majorities, such as the dead), so will the inevitability of the ultimate choice, between neodialectic deconstruction and posttextual nihilism.

If one examines predialectic narrative, one is faced with another choice: either accept cultural demodernism or conclude that the significance of the participant, dead or alive, is social comment, given that reality is equal to consciousness, and death is equal to the ultimate unconsciousness. The premise of the capitalist paradigm of discourse suggests that culture is used to entrench outdated, lifeist perceptions of class, including the ultimate oppressed, those no longer even with us, as the current narrative suggests that Derrida is.

Ultimately, that will be his legacy--the destruction of communication, and the decimation of clear thinking in many university English departments.

From Rand Simberg