The upcoming "Stolen Honor" will probably bring fresh attention to Sinclair. "I can't think of a precedent of holding up programming to show a political documentary at a point where it would have the maximum effect on the vote," said Jay Rosen, chairman of New York University's journalism department. But the program will only be the latest in a string of politically charged media events in this campaign. Representatives of Michael Moore's anti-Bush "Fahrenheit 9/11," which has grossed $214 million worldwide, are in talks for a deal to make the film available on pay-per-view cable the night before the election. The Sundance Channel plans to air live clips Monday from the anti-Bush "Vote for Change" rock concert.Although Bartleby defines documentary as
Cable, however, doesn't have the reach of broadcast stations like Sinclair's, nor is it subject to the same federal regulations. Still, although broadcast stations are required to provide equal time to major candidates in an election campaign, the Sinclair move may not run afoul of those provisions if Kerry or a representative is offered time to respond. Moreover, several sources said Sinclair had told them it planned to classify the program as news, where the rules don't apply.
Calling it news, however, poses its own problems, said Keith Woods, dean of the faculty at the Poynter Institute, a journalism school in St. Petersburg, Fla., that teaches professional ethics. "To air a documentary intended to provide a one-sided view of Kerry's record and call it news — it's like calling Michael Moore's movie news," he said, adding that the closer to an election that a controversial news report is aired, the "higher the bar has to go" in terms of fairness.
A work, such as a film or television program, presenting political, social, or historical subject matter in a factual and informative manner and often consisting of actual news films or interviews accompanied by narration.
Webster's defines documentary as
of, relating to, or employing documentation in literature or art; broadly : FACTUAL, OBJECTIVE {a documentary film of the war}And the OED says
Factual, realistic; applied esp. to a film or literary work, etc., based on real events or circumstances, and intended primarily for instruction or record purposes.But if it's Michael Moore I guess postmodernist anti-values apply. Still, it's pretty irrelevant to me what Kerry said a generation ago. I'm more concerned about his policies.
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